The Criterion Collection
The comedian, actor, and author reflects on what Alex Cox’s Walker has to say about American history, talks about the subtle depth of Two-Lane Blacktop, and praises performances by Peter Falk and Walter Matthau.
The Daily
Jan 25, 2021 — The blacklist couldn’t stop the irrepressible screenwriter known for his work with Sidney Lumet and Martin Ritt.
Sep 13, 2004 — Fifteen years ago I received a letter from a young film director in Texas, who enclosed a tape of his first film, with the unlikely title It’s Impossible to Learn to Plow by Reading Books. It might as well have...
Monte Hellman, a protégé of legendary producer/director Roger Corman, is best known for a pair of Jack Nicholson Westerns, as well as the cult film favorites Two-Lane Blacktop, Cockfighter, and China 9 Liberty 37. He has also worked as a...
Filmmaker Richard Linklater originally presented this tribute at the 2000 South by Southwest in Austin, TX, as an introduction to a special screening of Two-Lane Blacktop, part of a retrospective of Hellman's work that Linklater helped coordinate. It also appeared...
Features
Sep 25, 2023 — There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...
Short Takes
Apr 5, 2019 — Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...
The Daily
Oct 8, 2025 — We remember an artist, teacher, and filmmaker who unleashed realms of depth from two-dimensional images.
The Daily
Jul 29, 2025 — MoMA presents new restorations of three films from Germany and four from Hollywood.
Essays
Jul 1, 2025 — Made nearly two decades into Fritz Lang’s Hollywood career, this brutal noir is designed for maximum velocity and impact, eschewing the director’s accustomed flourishes in favor of a stark literalness.