The Criterion Collection
Features
Aug 10, 2023 — “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...
The Daily
Jul 11, 2023 — Screenings of work by Yasujiro Ozu, John Ford, Erich von Stroheim, and more will all feature live musical accompaniment.
The Daily
Jun 14, 2023 — At least one adaptation was met with unqualified critical and financial success—and then there’s the one McCarthy wrote from scratch.
The Daily
Mar 14, 2023 — New York’s Museum of the Moving Image presents new discoveries as well as selections from Sundance, Rotterdam, and Berlin.
Mar 8, 2023 — BAMPFA’s series of screenings and conversations runs from Friday through May 12.
The Daily
Dec 7, 2022 — The Sight and Sound poll calls for more deliberation and the best-of-2022 lists keep coming.
Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...
Oct 18, 2022 — Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.
Interviews
Sep 16, 2022 — The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.
Jul 1, 2022 — Both crowd-pleasing and gleefully subversive, Blake Edwards’s 1982 hit Victor/Victoria remains one of the few Hollywood musicals that explicitly depicts queer life.