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Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.

Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.

Oct 7, 2016 — The Brooklyn Rail has published a conversation between Roberto Rossellini and Salvador Allende, prefaced with an introduction by Jonas Mekas, who received the original transcript from Rossellini in the early seventies. For MUBI, Daniel Kasman explores the newly restored early...

Oct 3, 2016 — Polish music icon Zbigniew Preisner, who first worked with the Dekalog director on 1985’s No End and went on to contribute to all of his subsequent films. Here, we present a selected playlist of Preisner’s most memorable work for Kieślowski.

Sep 30, 2016 — Did You See This? In anticipation of the fifty-fourth annual New York Film Festival, opening tonight, Indiewire has surveyed the must-see films playing in the revivals section, including Gillo Pontecorvo’s The Battle of Algiers, Tomás Gutiérrez Alea’s Memories of Underdevelopment,...

Sep 29, 2016 — Ciné, in Athens, Georgia, screens Roman Polanski’s 1968 occult masterpiece, starring Mia Farrow as a woman who believes her husband and elderly neighbors are involved in a satanic plot against her and her unborn child.

Sep 28, 2016 — The “Pope of Trash” himself discusses his love for Russ Meyer’s signature style and the original music and retro visuals of his 1970 cult sensation.

Sep 27, 2016 — This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.

Sep 23, 2016 — Did You See This? To celebrate the beginning of autumn this week, the BFI has published a list of ten films set during the season, including Douglas Sirk’s All That Heaven Allows, Yasujiro Ozu’s An Autumn Afternoon, Wes Anderson’s Rushmore,...

Sep 21, 2016 — An exhilarating blend of noir and splatter-flick tropes, the Coen brothers’ debut feature established their unique brand of cosmic fatalism.