Back To Search

Jorjamado no cinema

Jun 27, 2017 Alfred Hitchcock brings a spirit of cinematic ingenuity to a thin narrative, resulting in a flawed but fascinating film that contains one of the most virtuosic sequences in his filmography.

Jan 16, 2017 Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.

Mar 23, 2016 We had come to expect Chantal Akerman’s periodic gifts of small and large cinematic gems. Certain of this flow, we were devastated when, all too abruptly, we were forced to think of her latest film, so beautiful, as her last.

Nov 18, 2015 On the night of the New York premiere of Gaspar Noé’s controversial new film Love, his 3D cinematic sex odyssey, the French-Argentine provocateur stopped by Criterion with the film’s star, Aomi Muyock.

Oct 21, 2015 Masaki Kobayashi takes on broken vows and the unreality of the past in his sensual and spooky four-part adaptation of Lafcadio Hearn’s Japanese folktales.

Jan 14, 2015 The writer remembers two New York film figures.

Mar 9, 2012 The cinematographer tells us how he and Louis Malle went about shooting Vanya on 42nd Street in a decrepit Manhattan theater.

Jul 27, 2010 Americans got The Secret of the Grain. In France, they got La graine et le mulet (The Grain and the Mullet)—basically, “Couscous and Fish.” Depending on whose table you eat dinner at, the French title can seem as elemental as...

Jun 24, 2009 The following tribute to Sacha Vierny by Alain Resnais (pictured together above, Resnais left) was published in the October 2001 issue of Positif. It is based on an interview conducted by François Thomas and was translated for Criterion by Nicholas...

Apr 21, 2009 “Just takes a few months to get to be a hundred. If you’re in the right place at the right time.” I first saw Henri-Georges Clouzot’s masterpiece The Wages of Fear when the restored version was released in the U.S.,...

Current Page
234
of 288

You have no items in your shopping cart