The Criterion Collection
Feb 20, 2017 — Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.
Feb 17, 2017 — In 1970, legendary filmmaker Roger Corman founded New World Pictures, an independent studio that produced and distributed everything from B-movies and exploitation films to acclaimed foreign art-house fare by Federico Fellini, François Truffaut, and Ingmar Bergman. It became a breeding...
Sneak Peeks
Feb 16, 2017 — In his Palme d’Or–winning masterpiece The Tree of Wooden Clogs, Ermanno Olmi depicts both the hardship and the beauty of late nineteenth-century agrarian life in the Italian province of Bergamo, telling the story of four families that live and work...
Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.
Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.
Feb 3, 2017 — Over on the Criterion Channel, for Super Bowl weekend, we’re showing the first football movie ever made, Harold Lloyd’s crackerjack comedy The Freshman (1925), and the first rugby-football movie ever made, Lindsay Anderson’s heart-pounding drama This Sporting Life (1963). And...
Jan 31, 2017 — Brooklyn-based director Tim Sutton stopped by for a visit and sat down to chat about the films that have inspired his work and the importance of maintaining an outsider’s point of view.
Jan 30, 2017 — Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.
Sneak Peeks
Jan 30, 2017 — It wasn’t until the second half of his life that Senegalese master Ousmane Sembène dedicated himself to cinema, with his debut feature, Black Girl, premiering in 1966 when he was forty-three. Already an acclaimed novelist, Sembène had lived in France...
Jan 27, 2017 — Did You See This? In a new interview with Film Comment, Polish cinematographer Slawomir Idziak discusses his collaborations with Krzysztof Kieślowski and his transition to working on Hollywood films like Gattaca and Black Hawk Down. “After the unexpected explosion of...