Love O2O

Apr 17, 2017 — Artist and writer Dash Shaw chats with us about first discovering René Laloux’s 1973 sci-fi masterpiece and its lasting influence on his own illustration style.

Apr 12, 2017 — British director Jack Clayton elicited landmark performances from a host of great ladies of the cinema, including Maggie Smith, Deborah Kerr, and Anne Bancroft.

Apr 12, 2017 — With a comprehensive retrospective of her work opening at New York’s Quad Cinema, Lina Wertmüller chats with us about her early days as a moviegoer and her collaborative process.

Apr 10, 2017 — Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.

Apr 10, 2017 — An exhibition at New York’s Museum of the Moving Image explores Martin Scorsese’s creative process, his deep personal connection to his films, and his lifelong cinephilia.

Apr 7, 2017 — Did You See This? Radley Metzger, the erotica pioneer who took soft core and hard core to new heights of artistry, has passed away at the age of eighty-eight. The New York Times remembers the director’s career, which began in...

Mar 30, 2017 — Repertory PicksNext Monday, the Michigan Theater in Ann Arbor will raise the curtain on the 1969 historical fantasy Fellini Satyricon. Following the underwhelming response to his first color feature, 1965’s gaudily surreal Juliet of the Spirits, and his reluctant abandonment...

Mar 27, 2017 — A master of rib-tickling dialogue and an innovator of dazzling narrative techniques, playwright-turned-filmmaker Sacha Guitry has long been revered by French movie lovers as an indispensable figure in the nation’s cinematic heritage, but his work has never received the level...

Mar 23, 2017 — Acclaimed author Jonathan Lethem wears his movie love on his sleeve in genre-hopping novels like the noir-inflected Motherless Brooklyn and the darkly satiric Chronic City, which opens with its protagonist paying a visit to the Criterion Collection. The cinematic inspirations...

Mar 22, 2017 — A tragedian at heart, Shirley Stoler found her Medea in the role of a glowering bandit on the run in Leonard Kastle’s seedy true-crime drama.