The Criterion Collection
Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.
The Daily
Jun 24, 2019 — Festivals across the continent celebrate the eclectic oeuvre of the renowned Egyptian filmmaker.
On the Channel
Jun 24, 2019 — Jacques Tati’s cinematic legacy rests on his four sublime comedies featuring Monsieur Hulot, his on-screen alter ego, a gawky, good-hearted Frenchman hopelessly befuddled by the modern world that’s sprung up around him. But no less than such masterpieces as Monsieur...
The Daily
Jun 21, 2019 — Can the movies survive? Can rotten people be great artists? Are we all doomed?
Criterion Designs
Jun 20, 2019 — When French auteur Bruno Dumont emerged on the film-festival circuit at the end of the 1990s with his debut feature, La vie de Jésus, and his Cannes-award-winning international breakthrough L’humanité, he immediately polarized audiences with his pitiless vision of human...
Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.
Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.
Jun 17, 2019 — Performances I can’t remember a time in my childhood when I saw a grown-up cry. It wasn’t that the elders around me were all that even-tempered; most of them were no less capable of lashing out in anger or indignation...
In Theaters
Jun 14, 2019 — Starting this weekend, Janus Films is putting Jennie Livingston’s extraordinary snapshot of Harlem’s drag balls of the 1980s back on the big screen.
Jun 13, 2019 — Photo by Sara Driver Half a century ago, George A. Romero’s midnight-movie hit Night of the Living Dead invented the zombie genre as we know it and turned American independent filmmaking on its head. Made on an ultralow budget with...