The Criterion Collection
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May 18, 2018 — And Sergei Loznitsa wins the best director award for Donbass.
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May 18, 2018 — The young Chinese director transports critics to a state of “melancholic bliss.”
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May 16, 2018 — Workers and management face off in a French factory, and the reviews are so-so.
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May 16, 2018 — Critical reception is subdued compared to the raves for Happy Hour (2015).
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May 16, 2018 — Joachim Trier’s jury goes for a satire about a Portuguese soccer star.
May 15, 2018 — Critics come down hard on this portrait of a serial killer, but the film does have its champions.
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May 15, 2018 — It’s the true story of a black detective who infiltrated the KKK—and Lee just might have a hit on his hands.
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May 15, 2018 — The story of a family teetering on the edge of poverty scores a solid first round of reviews.
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May 14, 2018 — A fable, a social critique, and a frontrunner for the top prize.
May 14, 2018 — In the singular world of Finnish filmmaker Aki Kaurismäki, auteurist homage and social consciousness are joined by some of the most lovingly filmed dogs in contemporary cinema.