För att inte tala om alla dessa kvinnor

Oct 27, 2022 — To capture the spirit of Frank Capra’s dark screwball classic, Criterion enlisted a longtime collaborator to create an image that combines the influences of Old Hollywood illustrator Jacques Kapralik and legendary pen-and-ink artist Edward Gorey.

Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...

Oct 26, 2022 — Todd Field’s Tár leads with five, followed closely by Charlotte Wells’s Aftersun with four.

Oct 26, 2022 — The ’80s Horror collection now playing on the Criterion Channel brings together some of my favorite films from a time when the horror genre took on strange and thrilling new forms. When I began programming it, my thoughts drifted back...

Oct 25, 2022 — One of the few American films of its era directed by a Black woman, Kasi Lemmons’s feature debut advances a critique of patriarchy and asks questions about gender and sexuality that still resonate today.

Oct 25, 2022 — As Saturn Bowling heads to the U.S., Mazuy sets up a project with Isabelle Huppert and Hafsia Herzi.

Oct 24, 2022 — A lively new podcast traces the history of German cinema in the Weimar era.

Oct 21, 2022 — We’re reading the new issue of Caligari and revisiting disturbing films by Kiyoshi Kurosawa and Gore Verbinski.

Oct 21, 2022 — The Viennale and the Austrian Film Museum present twelve features by a vital figure in the Japanese New Wave.

Oct 19, 2022 — A father and daughter bond on a budget holiday in the Scottish director’s first feature.