After Love

Oct 13, 2022 — Denis’s second film of the year split the critics when it won a Grand Prix in Cannes—and it’s still splitting them now.

Sep 22, 2022 — This month we’re reading about Jean-Luc Godard, Dirk Bogarde, Michael K. Williams, a few new novels, and just the state of things in general.

Sep 20, 2022 — The Canadian auteur Atom Egoyan’s strip-club-set drama is an intricate tapestry of grief and trauma, held together by a longing for human connection.

Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.

May 25, 2022 — Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

May 23, 2022 — The Romanian director maps varied strains of racism coursing through a tiny Transylvanian town.

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

May 17, 2022 — Juzo Itami’s tragicomic directorial debut has scandalous fun with the Japanese traditions governing death.

May 5, 2022 — Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...

Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.