The Criterion Collection
Oct 9, 2012 — British wartime audiences ate up these rule-breaking costume pictures—entertainments for a populace seeking escapism.
Oct 4, 2011 — Masaki Kobayashi rejects the notion of individual submission to the group, condemning the hierarchical structures that pervaded Japanese political and social life in the 1950s and 1960s.
May 25, 2010 — Between 1952 and 2003, depending on how the various serial works are counted, Stan Brakhage made somewhere between 350 and 400 films, about half of them short film poems under ten minutes in length, most of the rest between ten...
Sep 3, 2007 — I’m on a flight back from the Telluride Film Festival and two and a half great days in the mountains. Telluride has been an important festival for Criterion and Janus for years. It’s a great opportunity to mingle with filmmakers...
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.
Essays
Oct 24, 2005 — Kihachi Okamoto’s dynamic, intricately madcap movie is a multitoned send-up of samurai film lore.
Jul 11, 2005 — The trickily variant sensibilities of the three daydreams and their long duration are what mark Unfaithfully Yours as a stray modernist object.
Essays
Sep 5, 1988 — A wild mixture of gangster thriller, slapstick comedy, and bittersweet romance, François Truffaut’s second film was one of the signal works of the French New Wave.
Essays
Dec 6, 1987 — Mike Nichols’s treatment of a young man’s initiation into the mysteries of sex at the hands of an older married woman has become a model for this common fantasy.
The Daily
Jun 2, 2026 — Gorin will discuss films he’s selected as well as his own work and his collaborations with Jean-Luc Godard.