The Criterion Collection
The front man of the band Neon Indian—who just released his debut solo album, World of Hassle—praises the “completely demented” Maîtresse, discusses the representation of Texas in True Stories, and gives us his best Peter Falk impression.
The actor and comedian gravitates to 1940s film noir, the “weirdly timely” shock comedy of John Waters, and movies with memorable soundtracks.
The director of Oldboy and Decision to Leave talks about the influence of Ingmar Bergman, his complicated feelings about The Makioka Sisters, the way Mike Leigh works with actors, and his admiration for Don Siegel’s films.
The acclaimed photographer and music video director, whose film work includes Control and Squaring the Circle (The Story of Hipgnosis), highlights favorite movies by Wim Wenders, Martin Scorsese, and Paweł Pawlikowski.
The Palme d’Or–winning Belgian duo talk about their friends Jane Campion and Cristian Mungiu, a Krzysztof Kieślowski masterpiece that has influenced their own work, and the “profound loneliness” of Barbara Loden’s Wanda.
Three members of the team behind The Eight Mountains—directors Felix van Groeningen and Charlotte Vandermeersch and actor Alessandro Borghi—share their formative experiences with films like The Piano and The Fisher King and help one another discover new movies to fall...
The writer, director, and actor talks about a parallel between The 400 Blows and his popular show It’s Always Sunny in Philadelphia, the inspiration he has taken from Being There, and his excitement about exploring the work of Agnès Varda.
The legendary English director talks about discovering world cinema in his teenage years, the ways that Vivre sa vie gets to the “raw core of life,” the humor and politics in The Firemen’s Ball, and his experiences as a film...
The director of Drylongso talks about her fondness for Jean-Pierre Gorin, her love of To Sleep with Anger’s title sequence, and the influence of Sergei Parajanov on her own work.
The stars of My Dinner with André swap some of their most indelible cinematic memories, including an encounter with Michelangelo Antonioni and the childhood experience of watching classic films on television.