Time To Go

Feb 23, 2017 — Pedro Almodóvar’s Oscar-nominated breakthrough revels in the complexities of the female psyche.

Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.

Jan 30, 2017 — Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.

Jan 2, 2017 — With the debut of Me and You and Everyone We Know on the Criterion Channel, the acclaimed multi-hyphenate discusses her evolving creative process and her love of Jane Campion.

Dec 26, 2016 — PerformancesTraveling through the subterranean portals of Videodrome like an introverted wraith, Deborah Harry carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either...

Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.

May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.

May 17, 2016 — Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.

Apr 26, 2016 — Combining Turner Classic Movies’ programming experience with Criterion’s library of films and supplemental content made all the sense in the world.

Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.