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So This Is Love

Mar 25, 2022 With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.

Hope and Gratitude

The Daily

Jan 3, 2022 Both as an art and a business, cinema faces serious challenges, but the past year offers reasons for optimism.

Oct 19, 2021 The works of great artists have a way of reactivating fundamental questions about the nature and potential of an art form. In the case of filmmaker Lynne Ramsay, these questions revolve around a word that has been used routinely to...

Sep 29, 2021 Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.

Sep 13, 2021 Audrey Diwan, Jane Campion, and Maggie Gyllenhaal take home top awards.

Jul 13, 2021 One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...

Jun 14, 2021 Postwar Hollywood’s quintessential heavy wields his signature mix of brutality and neurosis to embody an abusive husband in Max Ophuls’s psychological drama.

May 27, 2021 First Person I first watched Yi Yi on a busted cassette tape, in my small Texas town, rented from a Blockbuster behind a rice field and a pharmacy. If you were a high schooler growing up just outside of Houston...

February Books

The Daily

Feb 18, 2021 We’re reading about Visconti, Fellini, Tom Stoppard, Eartha Kitt, and Anton Walbrook.

Feb 10, 2021 In 2009 I was working at Technicolor in Rome on a new remaster of Michelangelo Antonioni’s Identification of a Woman. I was with my colleague Fumiko Takagi, who was helping out with Italian-English translation during a conversation I was having...

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