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And at Last

Apr 25, 2023 In his second Palme d’Or–winning film, Ruben Östlund uses familiar reality-television tropes to stage a deeply unnerving spectacle of obscene wealth and class outrage.

Can’t Turn Away

The Daily

Apr 7, 2023 Along with the new Cinema Scope, we’re reading Raúl Ruiz’s diaries and conversations with Agnès Godard and Gregg Araki.

Mar 3, 2023 The reconstruction and preservation of history are crucial elements of all of this week’s stories.

Feb 2, 2023 MoMA will present standouts from Sundance and Berlin and from way, way beyond.

Oct 26, 2022 The ’80s Horror collection now playing on the Criterion Channel brings together some of my favorite films from a time when the horror genre took on strange and thrilling new forms. When I began programming it, my thoughts drifted back...

Aug 10, 2022 Selections range from award-winners in Cannes, Berlin, and Sundance to promising titles heading first to Venice and Toronto.

Over Time

The Daily

Jun 25, 2022 This week sees new issues of film and literary journals as well as great writing on Stanley Kwan, Hong Sangsoo, and Claire Denis.

May 20, 2022 Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.

Remarkable Women

The Daily

Apr 15, 2022 This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.

Nov 22, 2021 The newly opened museum celebrates the centenary with a two-part retrospective.

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