After Life

Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.

Oct 2, 2014 — The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...

Oct 2, 2014 — People struggle to escape their socially dictated roles in Rainer Werner Fassbinder’s moving, Douglas Sirk–inspired melodrama.

Sep 23, 2014 — In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.

Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Aug 26, 2014 — Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...

Aug 25, 2014 — Love and death tango in Bob Fosse’s glittering ode to his own mortality.

Aug 19, 2014 — Alfonso Cuaron, a filmmaker congenitally allergic to creative constriction, made his most liberated movie with this erotic, moving, often funny threesome tale.

Aug 12, 2014 — The emotional culmination of a brilliant career in film, John Cassavetes’s unruly masterpiece is an enigmatic character study and a direct investigation of the nature of love.

Aug 7, 2014 — Performances Today, the idea that comedian-actor-writer Lily Tomlin possesses dramatic versatility is so received that one might not realize how unexpected it was for audiences to see her in a serious role in Robert Altman’s Nashville in 1975. At that...