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[REC]²

Jan 28, 1991 The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Swing Time

Essays

Mar 12, 1990 This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.

Nov 6, 1989 If you had to choose one movie to have with you while stranded on an island, the choice might well be Lawrence of Arabia. Considered by many as one of the greatest films ever made, it received seven Academy Awards...

The River

Essays

Sep 4, 1989 Unintentionally, Jean Renoir’s India-set drama had become an early example of the dissolution of plot critics would hail ten years later in L’avventura.

The Blob

Essays

Mar 6, 1989 This black-and-white horror flick is the definitive ‘50s film about a town that won’t listen to the kids until it’s too late.

Oct 31, 1988 The wittiest, most sophisticated thriller ever made, North by Northwest is one of the crowning achievements in the careers of its director, Alfred Hitchcock, and its star, Cary Grant. Released in 1959 to both critical and public acclaim, this classic...

La strada

Essays

Mar 7, 1988 A low-key mood study about a broken-down carnival strongman and his half-wit assistant traveling through the bleak backwaters of post-war Italy catapulted Federico Fellini to the front ranks of that country’s greatest filmmaking talents.

Feb 29, 1988 Marx Brothers aficionados have argued for years over the relative merits of A Night at the Opera and the “purer” Marx movies such as Duck Soup. Certainly there’s no comparison on a point-by-point basis: Duck Soup is a classic of...

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