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Vanity Fair

May 22, 2017 Yorgos Lanthimos’s The Killing of a Sacred Deer “makes the absurd, amazing The Lobster seem like a warm and cuddly experience by comparison,” declares Jessica Kiang at the Playlist. “A film of clean hands, cold heart, and near-Satanic horror, it...

May 20, 2017 “Robin Campillo’s 120 Battements Par Minute [BPM (Beats Per Minute)] is a passionately acted ensemble movie about ACT UP in France in the late 80s, the confrontational direct-action movement which demanded immediate, large-scale research into AIDS,” begins the Guardian’s Peter...

May 19, 2017 We’ll get to the film at hand in a moment, but first—and just briefly—there’s no getting around the controversy that’s all but dominated the first couple of days at this year’s Cannes Film Festival. It began, really, when the festival...

Dec 16, 2024 Next year’s programming kicks off with some of our favorite actors, including Nicole Kidman, Ethan Hawke, and David Bowie.

Mar 25, 2024 What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.

Oct 24, 2023 This November, learn the art of the con from some of cinema’s craftiest swindlers, or saddle up alongside some of the most complex and determined female characters in the history of the western.

Sep 16, 2022 The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.

Nov 23, 2021 The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

Oct 27, 2021 Stephen Winter’s subversive, imaginative work simultaneously celebrates Black queer culture and fiercely threatens cinematic and societal conventions. In conversation as in his work, the director, producer, and writer deftly balances a warm wit with strikingly incisive honesty. Winter has played...

Sep 11, 2020 As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.

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