Nov 29, 2019 Since its debut in 2003, the online film publication Reverse Shot has found playful and provocative ways of blurring the boundaries between presumed opposites. With their tradition of symposiums—collections of newly commissioned essays on various topics and questions in film...

Nov 26, 2019 A smart and lively adaptation of a 150-year-old classic is warmly greeted in the first round of reviews.

DOC NYC 2019

The Daily

Nov 6, 2019 Chris Hegedus and D. A. Pennebaker’s Town Bloody Hall (1979) is one of the highlights in a program of over 300 films.

Projections 2019

The Daily

Oct 7, 2019 Critics respond to the New York Film Festival’s selection of new moving image art.

Sep 30, 2019 At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...

Sep 12, 2019 A new web resource spearheaded by Su Friedrich celebrates women editors from around the world, highlighting work that has long been obscured by the masculinism of auteurist film culture.

Aug 30, 2019 This week, a feminist journal folds, a filmmaker pens a manifesto, and Richard Linklater commits to a twenty-year project.

Aug 24, 2019 The irrepressible Samuel Fuller had quite the career, beginning his apprenticeship in the cutthroat world of New York newspapers at the age of twelve and going on to become a decorated veteran of World War II, before making a name...

Aug 20, 2019 With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.

Aug 20, 2019 For the past twelve months I’ve been re-plunging into Ingmar Bergman. It began with a conference in Lund, Sweden, in June of 2018, to mark the centennial of his birth; numerous experts, among them contributors to Criterion’s mammoth edition last...

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