The Criterion Collection
May 28, 2017 — The jury for the 70th Cannes Film Festival—Pedro Almodóvar (president), Maren Ade, Jessica Chastain, Fan Bingbing, Agnès Jaoui, Park Chan-wook, Will Smith, Paolo Sorrentino, and Gabriel Yared—has presented this year’s Palme d’Or to Ruben Östlund’s The Square.A special 70th Anniversary...
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Nov 27, 2008 — An enormous welter of insoluble problems is on display in Luis Buñuel’s classic—the ending solves nothing; the story just begins again.
Feb 20, 2026 — Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.
Jul 22, 2025 — An era-defining reckoning with the sexual revolution, Mike Nichols’s controversial drama develops a rigorous form for analyzing what we have recently come to call “toxic masculinity.”
Oct 8, 2024 — Though it received dismissive reviews upon its release, this chillingly nihilistic horror film has since influenced such masters as Alfred Hitchcock and Jacques Rivette with its low-budget evocation of anxiety and indeterminacy.
Aug 12, 2024 — The great actor creates an unforgettable portrait of a man worn down by the world in Tamara Jenkins’s darkly funny and deeply moving family drama.
The Daily
Mar 5, 2024 — Friends and admirers pay tribute to his rigorous scholarship, his boundless enthusiasm, and his warm generosity.
Essays
Jan 16, 2024 — Drawing on the influence of a wide range of genres, John Sayles creates a densely layered narrative that unfolds across two timelines and explores the long-hidden secrets of a small border town in Texas.
The Daily
Sep 27, 2022 — New restorations of work by Pedro Costa, Kira Muratova, Jean Eustache, Edward Yang, and Claire Denis are set to screen in New York.