The Criterion Collection
Mar 15, 2011 — The site of Louis Malle’s film Au revoir les enfants was the Petit-Collège d’Avon, a residential prep school located on the grounds of the Carmelite monastery abutting the park of the fabled French palace of Fontainebleau. Malle attended this school...
Mar 16, 2009 — This long-underappreciated giant of Japanese cinema was an innovative visual stylist and a born storyteller who preferred to make films about outsiders.
Aug 15, 2023 — Wayne Wang is perhaps best known as a cinematic chameleon. Working both inside and outside of the Hollywood ecosystem, he has consistently demonstrated a restless curiosity about a wide range of cultures and filmic traditions. In addition to directing two...
Jul 21, 2017 — A landmark of mainstream queer cinema, Donna Deitch’s 1986 feature debut returns to theaters in a new restoration.
Oct 21, 2014 — There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...
Production Notes
Mar 5, 2014 — A few years ago, as I was collaborating on the Criterion release of Last Year at Marienbad, I had the chance to meet Alain Resnais. We had released Hiroshima mon amour and Night and Fog a few years earlier, and...
Jan 29, 2016 — Film theorist Laura Mulvey, who introduced the world to the concept of the “male gaze,” is one of cinema’s most influential thinkers. She is a professor of film and media studies at the University of London’s Birkbeck College and is...
Jean-Pierre Berthomé is a professor emeritus at Rennes University, where, in the 1980s, he created the department of film studies. He contributes regularly to the French film monthly Positif and has written a dozen books, including on Demy, Orson Welles,...
Thomas Rimer is a professor of Japanese Literature and Theater at the University of Pittsburgh and has been published widely on various aspects of Japanese theater, literature, and cultural history.
Phillip Lopate’s latest book is A Mother’s Tale. He has written extensively on the movies for the Criterion Collection, Film Comment, Cineaste, and the New York Times and is a professor at Columbia University.