The Last Kiss

Jul 17, 2025 — The festival will launch new films from Agnieszka Holland, Rian Johnson, Derek Cianfrance, and Paul Greengrass.

Apr 28, 2003 — François Truffaut’s third Antoine Doinel installment is a perpetual juggling act by which harsh truths are disguised as light jokes.

May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.

Nov 17, 2017 — G rasshopper Film has posted Ted Fendt’s essay on Moses and Aaron (1974), Jean-Marie Straub and Danièle Huillet’s adaptation of Arnold Schoenberg’s unfinished opera: “Straub and Huillet’s brilliance—and a fundamental aspect of their method of adaptation—is to allow the contradictions...

A lifelong cinephile, this French filmmaker reinvigorated cinema throughout the sixties and seventies by breaking from the industry’s bloated “tradition of quality.”

Jun 10, 2022 — This week: Sarah Maldoror and Wayne Wang, plus new issues and features and the return of Film Studies for Free.

Jan 14, 2025 — There’s a Delphine Seyrig retrospective on in New York and another will open at the Harvard Film Archive on Friday.

May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.

Jun 20, 2018 — A Motion Selfie is a wryly comic silent film made by a crew of one.

Oct 3, 2017 — From Catherine Grant comes word that the third issue of Film Journal is now online, and it’s got a theme: “Since the Lumière Brothers’ The Arrival of a Train at La Ciotat Station (L’Arrivée d’un train en gare de La...