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The Last House

Aug 8, 2017 This underappreciated highlight of Michael Curtiz’s filmography grapples with postwar disillusionment and marital strife through the prism of a daylight noir.

Jul 25, 2017 Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.

Jul 13, 2017 “Martin Scorsese is putting the band back together,” writes Anita Busch, breaking the news at Deadline that “Joe Pesci has officially joined Al Pacino (whose deal is currently being finalized) and Robert De Niro in Scorsese’s Jimmy Hoffa disappearance film...

Jun 27, 2017 After nearly a decade of honing his craft, Alfred Hitchcock firmly established his reputation with this silent thriller.

Jun 8, 2017 Looking back on the last fifty years of film history, the influence of Roger Corman can be seen in everything from B-movie classics to art-house Oscar winners. With his keen eye for talent and eclectic taste, the prolific filmmaker became...

May 31, 2017 Director Terry Zwigoff shares his own musical taste in this article about how he went about selecting songs to underscore the deadpan tone of his cult comedy Ghost World.

May 24, 2017 “Love them or hate them, the films of Bruno Dumont never cease to confound,” begins Jordan Mintzer in the Hollywood Reporter. “For a long time the 59-year-old auteur was known for his uncompromising—and uncompromisingly bleak—early works like The Life of...

May 18, 2017 “Like a Judd Apatow thriller or a Michael Haneke kids flick, the concept of a Claire Denis comedy at first sounds like a contradiction in terms,” begins Jordan Mintzer in the Hollywood Reporter. “After all, the 71-year-old French auteur, whose...

May 17, 2017 With her son, Felix Moeller (Forbidden Films), Margarethe von Trotta (The Lost Honor of Katharina Blum, Hannah Arendt) will direct the documentary Ingmar Bergman – Legacy of a Defining Genius, reports Variety’s John Hopewell: “Exploring Bergman’s work with his closest...

Anthony Asquith

Short Takes

Apr 10, 2017 Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.

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