The Criterion Collection
Apr 12, 2017 — A sparkling homage to the golden age of Hollywood, Jacques Demy’s The Young Girls of Rochefort tells the story of dance instructor Delphine and music teacher Solange, twin sisters who yearn for excitement and romance beyond the confines of their...
Apr 10, 2017 — In this 1964 television interview, Jacques Demy defends his use of wall-to-wall singing and Michel Legrand takes to the piano for a few bars from one of his most famous compositions.
Jan 28, 2014 — Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.
Jul 8, 2013 — With its marvelous, distinctive camera work, Kenji Mizoguchi’s searing drama is as technically remarkable as it is humane.
Jun 11, 2013 — Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.
Apr 25, 2011 — In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.
May 19, 2010 — Plenty of ink has been expended over the years on the turbulent friendship between Jean-Luc Godard and François Truffaut, which helped define the French New Wave in the 1960s. Now those stories jump off the page and onto the screen...
Aug 24, 2009 — Whit Stillman took a risk when he set his third film during (and titled it after) the disco era, whose erstwhile existence, from almost the moment it ended, has seemed to embarrass most Americans more than Watergate. One would think...
Dec 21, 2008 — In 1962, Roberto Rossellini called a press conference in a bookshop in Rome and announced that the cinema was dead. “There’s a crisis not just in film but culture as a whole,” he explained. Increasingly, Rossellini had understood the great...
Aug 14, 2006 — The appearance of Eric Rohmer’s Six Moral Tales in the midst of the sixties’ sexual revolution brought unexpected sobriety to the European sexual drama and the comedy of erotic manners. Their stateside popularity successfully challenged the sauciness and candor audiences were...