The Friend of the Family

Aug 22, 2023 — In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in 
Swedish Film—in which Widerberg...

Aug 1, 2023 — This year’s festival will premiere new work from Lav Diaz, Radu Jude, and Lucy Kerr and host conversations with Harmony Korine and Tsai Ming-liang.

Jan 19, 2023 — The frequent collaborators talk about their close friendship, the paths that led them to each other, and the artistic values they share.

May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.

May 11, 2021 — Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.

Nov 2, 2020 — Two decades before his inspired turn in Parasite (2019) as a chiseling patriarch—The Man With No Plan—Song Kang-ho became a symbol of new wave South Korean cinema by starring in a pair of iconic films as the movement was beginning...

Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

Jul 10, 2019 — En route to the Czech Republic’s Karlovy Vary Film Festival in the summer of 2006, I stopped off for some sightseeing in Prague. Having dutifully made the rounds of the city’s hopping tourist spots, I retreated to my bare-bones hotel...

Feb 26, 2019 — The trailblazing African American director Charles Burnett’s third feature, To Sleep with Anger (1990), was his biggest production to date, albeit still made on a modest budget of $1.4 million, a significant portion of which was raised through the attachment...

Apr 2, 2018 — Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...