The Criterion Collection
Nov 21, 2017 — Terry Gilliam plunges into the filth and absurdity of medieval England with this grim fairy-tale comedy.
The Daily
Aug 10, 2017 — “The Coen brothers’ secretive new project The Ballad of Buster Scruggs has landed at Netflix,” reports Zack Sharf for IndieWire. The Western anthology, shot in New Mexico and premiering next year, “tells six distinct stories set on the American frontier....
Aug 2, 2017 — Writer-director Michael Almereyda spoke with us about his two latest films and the passions that continue to fuel his creative life.
Jul 8, 2017 — A number of projects in the works have been announced since Thursday’s overall roundup, and we begin with Michael O'Connell for the Hollywood Reporter: “Ava DuVernay is adapting the story of the ‘Central Park Five’ for Netflix. The multihyphenate, currently...
The Daily
Jun 28, 2017 — Carice van Houten, seen above in Paul Verhoeven’s Black Book (2006), “is teaming with fellow Game of Thrones regular Nicolaj Coster-Waldau to star in Domino, the suspense thriller from Brian De Palma penned by Kon-Tiki scribe Petter Skavlan,” reports Deadline’s...
Features
May 31, 2017 — Director Terry Zwigoff shares his own musical taste in this article about how he went about selecting songs to underscore the deadpan tone of his cult comedy Ghost World.
May 30, 2017 — Manhattan’s Quad Cinema reopened last month with a series of events that highlighted the emotional immediacy that comes with the experience of watching movies for the first time.
May 17, 2017 — With her son, Felix Moeller (Forbidden Films), Margarethe von Trotta (The Lost Honor of Katharina Blum, Hannah Arendt) will direct the documentary Ingmar Bergman – Legacy of a Defining Genius, reports Variety’s John Hopewell: “Exploring Bergman’s work with his closest...
Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.
Features
Jul 22, 2016 — Two pieces, written by director King Hu, that were originally published as part of a 1975 press kit for the Cannes Film Festival.