The Criterion Collection
Nov 2, 2020 — Two decades before his inspired turn in Parasite (2019) as a chiseling patriarch—The Man With No Plan—Song Kang-ho became a symbol of new wave South Korean cinema by starring in a pair of iconic films as the movement was beginning...
The Daily
Sep 25, 2020 — This week there’s a new Film Quarterly and a new frieze and fresh conversations with Jan Oxenberg and Paul Cronin.
Features
Aug 13, 2020 — First Person In 1960 The Apartment was playing at Cinema Rialto and was advertised with a loud red poster. I was too young to see it at the time, but I do recall overhearing my parents describing it to their...
Aug 4, 2020 — The NYFF lines up three films by Steve McQueen, Venice adds two titles, and Telluride reveals the lineup for the edition that would have been.
Jul 6, 2020 — The latest short film to take the spotlight on the Criterion Channel, Marnie Ellen Hertzler’s Dirt Daughter emerged from the collaboration of a vibrant community of artists. Not only was it produced by the innovative collective the Eyeslicer, which supports...
On the Channel
May 28, 2020 — Check out what’s in store next month on our streaming service!
The Daily
Apr 21, 2020 — What happens to the films slated to premiere at Cannes 2020? After all, the fall festival season is beginning to look pretty iffy, too.
Features
Apr 10, 2020 — Songbook Edward Yang’s A Brighter Summer Day is the War and Peace of Taiwanese juvenile-delinquent movies. It is also part of a tradition of films that use the process of a character slowly learning a single song as a narrative-building...
Apr 6, 2020 — An actress herself, Bosworth understood her subjects as few writers could. Plus: The latest in home viewing.
Mar 24, 2020 — How do you talk about Leave Her to Heaven without talking about Gene Tierney’s face? You can’t. Because its planes and curves, its cunning expressions and its tantalizing opacity, are such a central piece of the movie itself. A series...