Mar 28, 2022 Despite wins to celebrate, the Oscars got off on the wrong foot—and then took a turn for the worse.

Perceptive Splits

The Daily

Mar 18, 2022 Ukrainian cinema, suspense vs. dread, and the opposite of synesthesia are on our minds this week.

Mar 15, 2022 The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Feb 24, 2022 Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.

Berlin and Beyond

The Daily

Feb 11, 2022 The week wraps with swift thrills from Steven Soderbergh and Dominik Graf and fresh appreciations of Louis Malle and Julien Duvivier.

Jan 27, 2022 We’re celebrating Black History Month with tributes to trailblazing artists like Harry Belafonte, Melvin Van Peebles, and documentary master Stanley Nelson.

Jan 27, 2022 As John Cameron Mitchell’s newly restored second feature returns to theaters, many wonder if it could possibly be made today.

Jan 26, 2022 Rotterdam opens as Sundance winds down and Berlin sets up.

Jan 25, 2022 By repeatedly staging the death of the filmmaker’s father with tragicomic flair, Kirsten Johnson’s hybrid documentary grapples with the realities of dementia and finds grace.

Jan 21, 2022 This week: Sundance at thirty and Ways of Seeing at fifty, plus the Márta Mészáros and Bill Morrison retrospectives and a new Cinema Scope.

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