The Criterion Collection
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
The Daily
Mar 13, 2025 — Top prizes in the narrative and documentary feature competitions go to Amy Wang and Benjamin Flaherty.
Features
Mar 13, 2025 — While a film’s stars are forced to bear the responsibility of moving a narrative forward, supporting actors get to have fun providing comic relief or suggesting whole lives being lived beyond the screen.
Mar 3, 2025 — His range was astounding, and yet every performance was immediately recognizable as uniquely his.
Feb 25, 2025 — Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.
Feb 25, 2025 — Like many of the characters found throughout the director’s oeuvre, the alternative-press staffers at the center of her sophomore feature are bound up in a perpetual tug-of-war between past and present realities.
Feb 19, 2025 — Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.
Feb 19, 2025 — Following its wildly successful launch at the New York Film Festival and a Brooklyn stop at St. Ann’s Warehouse, the Criterion Mobile Closet is making its first trip outside of New York City this March.
The Daily
Jan 21, 2025 — Lynchian may be impossible to define, but you know it when you see it.
Essays
Jan 21, 2025 — In his first Hollywood film, British director Stephen Frears dives into the nihilistic world of Jim Thompson’s fiction, delivering an adaptation profoundly attuned to the novelist’s sense of ineluctable suffering.