No. 10

Mar 20, 2026 — This week: Thierry Frémaux on the Lumière brothers, Lynne Littman and Jane Alexander on Testament, and Christian Petzold on Hitchcock.

Feb 24, 2026 — For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.

Feb 6, 2026 — There’s an AI-driven reconstruction of The Magnificent Ambersons underway, a restoration of Michael Almereyda’s Nadia in theaters—and more.

Feb 5, 2026 — In a collection of behind-the-scenes documentaries now playing on the Criterion Channel, legendary female performers assert their agency over their screen personae and find freedom in the glamour and artifice of their profession.

Jan 16, 2026 — Michael Almereyda and Radu Jude’s discussion of Eisenstein, Welles, and Godard is just one of this week’s highlights.

Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.

Nov 24, 2025 — This month brings new collections from Melissa Anderson and A. S. Hamrah and a whole shelf of lives lived with the movies.

Nov 7, 2025 — Ira Sachs’s new film opens this week, plus: Joy Williams on Gene Hackman and Claire Atherton’s work with Chantal Akerman.

Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.

Aug 29, 2025 — The Ringer ranks this century’s greatest on-screen turns and Joseph McBride champions John Ford’s final feature.