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L'Aquila 2009: Five Directors in the Rubble

Aug 3, 2015 On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...

Jan 13, 1992 Few films have had as exalted, or as tumultuous, a history as The Devil and Daniel Webster. Directed and produced by William Dieterle at RKO after his triumphant Hunchback of Notre Dame, The Devil and Daniel Webster is the finest...

May 15, 2026 This week: Super 8 films by Teo Hernández, a new feature from Patrick Wang, and a revival of Aloïse (1975), starring Isabelle Huppert and Delphine Seyrig.

May 25, 2022 Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.

Mar 15, 2022 The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Jan 17, 2020 Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...

Aug 9, 2018 Martin Scorsese presents a second round of innovative but overlooked “B” movies.

Apr 2, 2018 This week sees the openings of the San Francisco International Film Festival, Locarno in Los Angeles, and DOC10 in Chicago, and I’ll have separate entries on all three events in a couple of days. New York. The BAMcinématek series Tough...

Mar 2, 2018 New York. MoMA’s retrospective El Indio: The Films of Emilio Fernández is on through March 13. “With his longtime artistic comrade, the great cinematographer Gabriel Figueroa, Fernández directed the movies that gave arthouse audiences worldwide their vision of post-colonial Mexico...

Feb 7, 2018 “Paul Clipson, the San Francisco-based experimental filmmaker once described as a ‘poet of cinema,’ died unexpectedly Saturday at the age of fifty-three,” reports Kevin L. Jones for KQED. “Clipson made dozens of short films and collaborated frequently with experimental musicians...

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