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Mar 18, 2024 — It’s an eclectic bunch this month, featuring a new play, a ban on the color green, and Godzilla.

Mar 8, 2024 — This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.

Feb 21, 2024 — Combining the influence of the wuxia genre, the Hong Kong New Wave filmmaking of the 1980s, and loony comic-book futurism, these two ass-kicking fantasias are dazzling showcases of female physicality.

Feb 14, 2024 — Portraits of Stanley Kubrick and Agnès Varda, a memoir from Ed Zwick, and a history of Blaxploitation are among the highlights.

Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”

Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.

Jan 30, 2024 — Metrograph will screen Kimi Takesue’s study of tourism in Laos and stream her two previous features as well.

Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.

Jan 26, 2024 — We gather essays and interviews related to series spotlighting Ousmane Sembène, Serge Daney, Skip Norman, Iranian cinema, and the Oscars.

Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.