The Criterion Collection
Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.
May 29, 2012 — Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.
Essays
Feb 22, 2011 — Andrea Arnold seemed to emerge out of nowhere with Red Road (2006), her revelatory, shrewdly observed debut feature about voyeurism and sexual revenge. That film won Arnold multiple awards, and she had already earned an Oscar for her short Wasp...
May 25, 2010 — Between 1952 and 2003, depending on how the various serial works are counted, Stan Brakhage made somewhere between 350 and 400 films, about half of them short film poems under ten minutes in length, most of the rest between ten...
Apr 26, 2019 — A politically engaged actor who refused to be commodified, this French icon showcased her piercing intelligence throughout four decades of unforgettable performances.
Essays
Feb 12, 2007 — The trailblazing career of the extraordinary singer, actor, and activist was pivotal to the emergence of a black film aesthetic and, by extension, an African-American cultural identity.
Mar 24, 2026 — In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.
Jun 20, 2023 — In their first collaboration, director Joseph Losey and screenwriter Harold Pinter explore the cultural fissures in modern England by dramatizing a kind of role-play in which no role is stable or easy to define.
Mar 29, 2017 — Film journalist Mark Harris stopped by Criterion to chat about the growing pains that five Hollywood filmmakers experienced during World War II.
Nov 8, 2010 — To say that Lars von Trier deals in provocation and controversy is like saying John Ford made westerns: obviously true, but far from giving a measure of the director’s importance. Ever since The Element of Crime polarized critics at Cannes...