The Criterion Collection
The Daily
Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.
Sep 27, 2019 — Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...
Sep 20, 2019 — In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...
The Daily
Sep 11, 2019 — Following his landmark collection of photographs, The Americans, Frank made essential films about the Beats, the Stones, and his own personal tragedies.
Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.
The Daily
Sep 4, 2019 — After Laurence Olivier and Kenneth Branagh, it’s Timothée Chalamet’s turn to lead the English to the Battle of Agincourt.
The Daily
Sep 3, 2019 — Early verdicts diverge as widely as opinions on how to respond to the very idea of a new film by Roman Polanski.
The Daily
Aug 20, 2019 — With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.
Aug 14, 2019 — There is a scene in Henry King’s State Fair (1933) that ranks among the most poetic moments in all of 1930s American cinema. There is not much to it, just a family driving through the dusk in their rattling pickup...
The Daily
Aug 9, 2019 — This week we’re revisiting the work of Ida Lupino, Nicholas Cage, Juraj Herz, Spike Jonze, and more.