The Criterion Collection
Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.
Aug 26, 2014 — Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...
Jul 24, 2014 — Everyday life gets a musical makeover in Jacques Demy’s tale of chance and love, a film of exquisitely sad happiness.
Jun 27, 2014 — Did You See This?• The enduring appeal of Charlie Chaplin • Ellen Burstyn, queen of Marvin Gardens • Growing up with Richard Linklater • When Steven Soderbergh talked to Gordon Willis • The Terrence Malick–Andrew Wyeth connection • Meet Mr....
May 30, 2014 — Did You See This?• Traveling back to Slacker’s Austin • Robert De Niro opens up about his dad. • Actor-director matches made in heaven • The fascinating saga of Bernard Natan • Adrian Martin loves Brian De Palma. • Hollywood’s...
In Theaters
May 1, 2014 — Repertory PicksCinema lovers in New York will have their calendars full for the coming month. Museum of the Moving Image is hosting the most comprehensive United States retrospective of Kenji Mizoguchi films in decades. Usually named right below Akira Kurosawa...
In Theaters
Mar 13, 2014 — Repertory PicksThe lovely domestic drama Equinox Flower (1958) was the first color film by the great Japanese director Yasujiro Ozu. Though this master of cinematic composition was initially resistant to moving to the relatively new process (the first color film...
Dec 12, 2013 — A beloved filmmaker in India, the Bengali director Ritwik Ghatak digs into his region’s traumatic history in this epic melodrama.
Dec 9, 2013 — The critic and WCP executive director offers a personal take on art cinema and a primer on the project’s scope and mission.
Nov 18, 2013 — When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...