The Criterion Collection
The Daily
May 16, 2024 — Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.
The Daily
May 15, 2024 — The festival opens with a showcase for French acting royalty.
May 14, 2024 — Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.
May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.
The Daily
May 10, 2024 — Horace Ové’s Pressure opens, Víctor Erice and Pedro Costa exchange ideas, and GQ presents an oral history of Go.
May 9, 2024 — With his new film slated to premiere in Cannes, Rasoulof faces his harshest sentence yet.
The Daily
May 8, 2024 — Thelma Schoonmaker brings Michael Powell’s Peeping Tom to the inaugural edition of JBFC Restored and Rediscovered.
The Daily
May 1, 2024 — Films by Horace Ové, Menelik Shabazz, John Akomfrah, Isaac Julien, and more depict Black lives in a tumultuous era.
The Daily
Apr 25, 2024 — The American Cinematheque presents all six features, including the Los Angeles premiere of Eureka.
Apr 22, 2024 — Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.