The Criterion Collection
Features
Aug 20, 2019 — For the past twelve months I’ve been re-plunging into Ingmar Bergman. It began with a conference in Lund, Sweden, in June of 2018, to mark the centennial of his birth; numerous experts, among them contributors to Criterion’s mammoth edition last...
The Daily
Aug 9, 2019 — This week we’re revisiting the work of Ida Lupino, Nicholas Cage, Juraj Herz, Spike Jonze, and more.
Essays
Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...
Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.
Features
Jun 7, 2019 — He is the most disarming and self-effacing of the English actors who dominated stage and screen in the middle of the twentieth century—the others were John Gielgud, Ralph Richardson, Michael Redgrave, and Laurence Olivier. Those fellows carried themselves like grand...
May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.
May 8, 2019 — Songbook “The very first time I saw a picture of [Charles Starkweather], I knew I was looking at the future. His eyes were a double zero. There was just nothing there. He was like an outrider of what America might...
Features
May 2, 2019 — “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...
Mar 1, 2019 — Claire Simon begins her new documentary The Competition with a shot of young filmmakers chatting outside the locked gates of La Fémis, the most prestigious film school in France, patiently awaiting an opportunity to be judged by a panel of...
Jul 16, 2018 — The legendary baseball writer talks about the no-nonsense pleasures of one of the all-time great sports movies and the classic essay he wrote about it.