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Do Ankhen Barah Haath

Jan 31, 2026 — In the spotlight this week: Amir Naderi, Bahram Beyzaie, Hlynur Pálmason, Robert Aldrich, Reginald Hudlin, and the late Béla Tarr.

Jan 29, 2026 — Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.

Jan 29, 2026 — Critics have taken a liking to the new films from Olivia Wilde, Padraic McKinley, and John Wilson.

Jan 28, 2026 — TIFF Cinematheque salutes the surrealist master with a series of fresh restorations and rare 35 mm prints.

Jan 27, 2026 — Unencumbered by the white gaze, Reginald Hudlin’s groundbreaking feature-film debut is a celebration of a Black community in all its diversity, featuring fully realized characters who exist not as spectacle but as reality.

Jan 27, 2026 — William and David Greaves’s film captures a gathering of Harlem Renaissance luminaries in 1972.

Revisitations

The Daily

Jan 23, 2026 — This week: Max Ophuls, Erich von Stroheim, David Lynch, the Biden years, and the best of 1935.

Jan 22, 2026 — A deft mixture of family epic, romantic melodrama, landscape cinema, and comedy, Burkinabe director Idrissa Ouédraogo’s landmark film balances the universality of its themes with the fierce individuality of its characters.

Jan 22, 2026 — At once earnest and fantastic, carefree and mindful, G. Aravindan’s richly imagined work of folklore channels the director’s deep spiritual vision through the form of a children’s story.

Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.

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