The Criterion Collection
Production Notes
Aug 27, 2008 — A few months back, after we announced our upcoming release of Salò, or The 120 Days of Sodom, we received a note from a viewer asking us which version of the film we would be releasing, noting that a 2001...
Apr 16, 2007 — Following debates about tensions between police and immigrant communities in France, director Mathieu Kassovitz began a public correspondence with the right-wing minister of the interior Nicolas Sarkozy.
Mar 26, 2007 — Across five films, the Swedish director defined his guiding themes and cinematic style.
Feb 12, 2007 — Vittorio De Sica’s seminal drama renounces “egoism” for collective concern, envisioning a cinema of impassioned social conscience.
Aug 28, 2006 — Pietro Germi’s brilliant satire skewers Italian society’s devotion to appearances and its cultlike obsession with gossip and honor.
Features
Apr 17, 2006 — In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.
Essays
Aug 2, 2004 — This kinetic and ineffably voluptuous musical is the happiest and most exuberant ripple in Jean Renoir’s career as a river of personal expression.
Essays
Feb 2, 2004 — A story about defeat and failure, Robert Bresson’s masterpiece is a milestone in the slow process of the liberation of postwar French cinema
Essays
Aug 18, 2003 — Ingmar Bergman’s chamber film is his most concentrated inquiry into the significance of religion, and of Lutheranism specifically.
May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton