The Criterion Collection
The Daily
Oct 16, 2020 — This week we’re reading Jacques Rancière on Pedro Costa, J. Hoberman on Pietro Marcello and Jack London, and Sasha Frere-Jones on Jóhann Jóhannsson.
May 27, 2020 — London-based director Sandhya Suri already had several acclaimed documentaries to her name—including I Is for India (2005) and Around India with a Movie Camera (2018)—when she decided to make her first foray into narrative filmmaking. Inspired by some of the...
The Daily
Dec 20, 2019 — This week we’re spotlighting directors’ and writers’ appreciations of other directors and writers, plus Céline Sciamma and Agnès Varda.
Aug 13, 2019 — Something uncanny is brewing in George Sikharulidze’s Fatherland. This darkly comedic film transports us to a spring evening in Joseph Stalin’s birthplace—Gori, Georgia—where the townspeople have gathered on the sixty-third anniversary of their long-departed leader’s death. What follows is part...
The Daily
Jun 7, 2019 — This week we revisit the work of Pawel Pawlikowski, Carlos Reygadas, Robert Mitchum, Hal Hartley, and Elaine May.
The Daily
May 3, 2019 — BAM’s Black 90s series, Nina Menkes, a poet, Avengers, and a list of the top films of the 2010s are among this week’s highlights.
The Daily
Mar 1, 2019 — Barbara Hammer gives an “exit interview,” Béla Tarr discusses Sátántangó, and Neil Jordan writes about the projects that got away.
The Daily
Feb 26, 2019 — He gave us some of the greatest musicals ever made and followed up with winning comedies, romances, and thrillers.
The Daily
Jan 23, 2019 — Checking in on how the nominees are currently faring with critics and awards prognosticators.
Visual Analysis
Jan 23, 2019 — Under the Influence With his latest movie, They’ll Love Me When I’m Dead, Oscar-winning documentary filmmaker Morgan Neville trained his focus on one of cinema history’s most outsize personalities. The film—released just months after Neville’s Fred Rogers profile Won’t You...