At Land

Apr 2, 2018 — Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...

Dec 6, 2017 — Before breaking events down by city, let’s note that, to celebrate its fiftieth anniversary, Canyon Cinema is taking four 16 mm programs and two digital packages on the road—coast to coast and many, many points in between. Here’s a map...

Sep 18, 2017 — The wide-open vistas of Montana are the backdrop for three interlocking stories about women confronting the disappointments of small-town life.

Aug 31, 2017 — “Lucrecia Martel is the elusive poet of Latin-American cinema, missing believed lost, the Mary Celeste in human form,” begins the Guardian’s Xan Brooks. “She made La Cienaga and The Holy Girl; split the Cannes audience in two with her brilliant,...

Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.

Aug 3, 2015 — On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...

Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.

Jul 30, 2019 — The New York Film Festival has landed the world premiere of The Irishman—and Scorsese is already at work on his next feature.

Jul 27, 2026 — Some read Thomson’s new book as an attack on cinema; others argue that they’re missing the point.

Mar 27, 2024 — The director of the films that launched the Zatoichi and Lone Wolf and Cub series made three virtuosic, melancholic dramas in the early 1960s.