The Criterion Collection
Jun 28, 2016 — When Stanley Kubrick bought the motion picture rights to the 1958 thriller Red Alert, by the retired Royal Air Force navigator Peter George, he meant to direct an action film about a nuclear war triggered by a solitary madman. Some...
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.
Essays
Dec 1, 2015 — Critic Todd McCarthy takes an inside look at Michael Ritchie's outdoor drama, which he calls “spare, cut to the bone, as fine as dry powder. Had Hemingway ever written about competitive skiing, this would have been the right style with...
Short Takes
Sep 8, 2015 — Get ready to take notes: the centerpiece of Sight & Sound’s October issue is an annotated list of 100 overlooked films by women. In an article titled “The Female Gaze,” the magazine’s editors write, “We aim to challenge official film...
Essays
Jul 15, 2014 — Among the brainiest of all horror movies, David Cronenberg’s film goes beyond shock to investigate a disturbing world of psychic mutation.
Features
Jun 30, 2014 — The filmmaker’s recollections of the great producer.
Jun 25, 2014 — Hearts and Minds is the classic antiwar documentary film of the Vietnam era. It was released in 1974, one year after the United States withdrew its military forces from Vietnam and a year before North Vietnamese and National Liberation Front...
Jun 6, 2014 — The Daily• Sam Fuller, D-Day veteran • Happy birthday, Chantal Akerman • When John Cassavetes and friends drove Dick Cavett mad • A fresh look at the career of Vanessa Redgrave • Hard Day’s hard facts • Eye-opening makeup effects...
Jan 10, 2014 — Did You See This?• Reminiscing about Spalding Gray • The Little Tramp is turning 100. • For Dennis Cooper’s birthday, the beauty of Robert Bresson • Still Anger after all these years • Molly Haskell on a new Barbara Stanwyck...
Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...