The Criterion Collection
Essays
Jul 9, 2001 — With its dunderhead millionaires, erudite bums, effulgently dysfunctional families, and beneficent providence, My Man Godfrey is the Depression comedy par excellence. It is also, superficially at least, a movie about the Depression. A suicidal millionaire regains his zest for living...
Essays
Jun 18, 2001 — Bathed in scarlet hues, Ingmar Bergman’s period drama is his most daring attempt to achieve a dream state on film.
Essays
May 12, 2001 — Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.
Essays
Feb 19, 2001 — Leaving the theater after the tumultuous world premiere of Do the Right Thing at Cannes in May of 1989, I found myself too shaken to speak, and I avoided the clusters of people where arguments were already heating up. One...
Essays
Feb 19, 2001 — Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.
Essays
May 15, 2000 — Horror movies take place in their own territory. The trick is to get us there. It doesn’t matter whether they start with fantastic premises and gothic settings, or with ordinary neighborhoods and daily experience, because the places and assumptions change...
Nov 1, 1999 — The Unbearable Lightness of Being is a profoundly beguiling movie about sex, love, and rebellion.
Essays
Jun 7, 1999 — From the moment of its first appearance, at the Cannes Film Festival in 1959—where it won the Palme d’Or—it was clear that Black Orpheus was a very special film. Taking the ancient Greek myth of a youth who travels to...
Essays
May 24, 1999 — Before The Red Shoes, there were films with dance numbers. After it, there was a new medium which combined dance, design, and music in a dreamlike spectacle. Hollywood musicals were quick to pay tribute—An American in Paris was the most...