In Gefahr und größter Not bringt der Mittelweg den Tod

Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.

May 25, 2022 — Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.

Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...

Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...

Dec 3, 2021 — In the spotlight this week: Mario Monicelli, Michael Snow, Gordon Parks, Fronza Woods, and the Japanese New Wave.

Nov 17, 2021 — Having won major prizes in Berlin and Cannes, the director has been talking openly about his background, influences, and working methods.

Aug 26, 2021 — Steven Soderbergh lines up another series and adaptations of novels by Colson Whitehead and Taffy Brodesser-Akner are in the works.

Jun 29, 2021 — In Dee Rees’s ambitious and lyrical debut, the inner life of a queer Black teenager and poet is summoned in all its nuances and contradictions.

May 26, 2021 — Hong’s sixth feature, made in 2005, is finally seeing a theatrical release in the U.S.

May 5, 2021 — Many lucky enough to have worked with her remember the star who broke through in Moonstruck.