The Criterion Collection
May 18, 2018 — Improvising to Jim Jarmusch’s film in real time, Neil Young created a rich parallel environment that sounds like a force of nature.
The Daily
May 18, 2018 — The young Chinese director transports critics to a state of “melancholic bliss.”
The Daily
May 16, 2018 — Critical reception is subdued compared to the raves for Happy Hour (2015).
The Daily
May 16, 2018 — Joachim Trier’s jury goes for a satire about a Portuguese soccer star.
The Daily
May 15, 2018 — It’s the true story of a black detective who infiltrated the KKK—and Lee just might have a hit on his hands.
May 14, 2018 — In the singular world of Finnish filmmaker Aki Kaurismäki, auteurist homage and social consciousness are joined by some of the most lovingly filmed dogs in contemporary cinema.
The Daily
May 12, 2018 — The five-part essay film is “infused in equal measures by despair and aspiration.”
The Daily
May 12, 2018 — Critics are split over this Egyptian road movie, the only debut feature in competition.
The Daily
May 10, 2018 — The underground scene of Leningrad in the early 80s is the real star here.
The Daily
May 9, 2018 — “One of the best Welles documentaries” makes the case for the director as a brilliant graphic artist.