Get Out

Dec 7, 2010 — “Eroticism,” Luis Buñuel told an interviewer, “is a diabolic pleasure that is related to death and rotting flesh.” No filmmaker conveys this idea with more ingenuity and macabre gusto than David Cronenberg, whose movies (hilariously, terrifyingly) illustrate the equation of...

Oct 15, 2009 — Whatever Tom Waits is up to—be it music or acting (Down by Law, Short Cuts)—is bound to be interesting, so we can’t wait to see him in the role of a lifetime, as the devil in The Imaginarium of Doctor Parnassus,...

Sep 17, 2007 — Today we are used to seeing dance artistically presented on television and in movies—these films about Martha Graham helped to make that happen.

Oct 16, 2006 — Alfonso Cuarón’s first film—a sex farce that pokes fun at Mexican culture, including a public-service AIDS campaign—emerged from Mexico’s beleaguered state funding system for cinema, and was initially shelved by the government.

Oct 24, 2005 — The hero in Masahiro Shinoda’s popular samurai movie is both a genre figure and an ordinary character, both killer and savior, both larger than life and lost in the mists.

Aug 23, 2004 — This drama about young dreamers is the first definitive plunge into many of Federico Fellini’s dominant thematic and imagistic preoccupations.

Mar 13, 2000 — The following is excerpted from The Shifting Point, Peter Brook’s 1987 autobiography. All I wanted was a small sum of money, no script; just kids, a camera, and a beach. A young American, Lewis Allen, felt that private backers could...

Dec 19, 1993 — The first above-ground picture made by John Waters was a cinematic breakthrough more profound than Dolby sound or Cinerama.

Dec 2, 1990 — In Martin Scorsese’s hands, the camera is not simply a recording device, but an x-ray machine—and it shows us close-ups of the human soul.

Dec 5, 1988 — This existential thriller didn’t begin its life as a cannily trendy product of studio filmmaking, but rather as the very personal expression of the imagination of one of European art cinema’s greatest talents, Michelangelo Antonioni.