The Criterion Collection
The Daily
Sep 11, 2019 — Following his landmark collection of photographs, The Americans, Frank made essential films about the Beats, the Stones, and his own personal tragedies.
Apr 10, 2019 — One Scene Dušan Makavejev’s boundary-pushing 1974 film Sweet Movie gleefully skewers the forces of social oppression with a twisted double narrative and Day-Glo scenarios. At a time when the director’s native Yugoslavia was carving out a unique position somewhere between the political...
Sep 17, 2018 — Critics pick their favorite premieres of the season, and Toronto audiences vote up a surprise winner.
The Daily
Jun 21, 2018 — The American philosopher was an early proponent of cinema as a subject worthy of serious study.
Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.
In Theaters
Sep 21, 2017 — Tonight, Shotgun Cinema in New Orleans screens a piquant sampling of the wildly idiosyncratic documentaries of Les Blank.
Features
Sep 17, 2017 — Matteo Garrone’s gritty portrait of the Neapolitan Mafia draws on a lineage of Italian crime films dating back to Francesco Rosi’s trailblazing Salvatore Giuliano.
The Daily
Sep 15, 2017 — Our first order of business here is to catch up with an item or two you’ve most likely already heard enough about. But there’s no getting around at least a mention of the replacement of Colin Trevorrow as director of...
Essays
Feb 27, 2014 — Roman Polanski’s film is a highly sophisticated adaptation of Thomas Hardy’s classic novel, in both its faithfulness and its divergences.
Nov 26, 2010 — Early in Peter Bogdanovich’s The Last Picture Show, as the wind from the Texas plains whips the small town of Anarene, the high-school senior Sonny Crawford (Timothy Bottoms) halts his recalcitrant pickup truck—Hank Williams is warbling “Why Don’t You Love...