My Man

Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”

Nov 4, 2015 — Linklater circa 1990 In 1985, six years before the release of Slacker, Richard Linklater's iconic portrait of a generation, the Texan filmmaker founded the Austin Film Society. The group began as a small band of cinephiles eager to see classic,...

Oct 30, 2015 — The following interview was originally published in the 2005 edition of filmmaker and writer Chris Rodley’s book Lynch on Lynch. The interviews included in the book were conducted by Rodley between 1993 and 2005. For Criterion’s release of Mulholland Dr.,...

Oct 15, 2015 — Coming off the success of John, her latest acclaimed stage production, Pulitzer Prize–winning playwright Annie Baker is more in demand than ever.

Oct 9, 2015 — Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.

Sep 28, 2015 — Many of the most romantic moments in movies are the results of decidedly unromantic real-life on-set moments. As Helena Bonham Carter reveals in this candid new interview clip, that was certainly the case with A Room with a View and...

Aug 25, 2015 — In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.

Jun 7, 2015 — Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.

Apr 30, 2015 — A well-deserved profusion of obituaries has reported in detail the achievements of Richard Corliss as a film journalist.

Apr 20, 2015 — "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...