The Criterion Collection
Essays
Mar 11, 2002 — This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.
Essays
Sep 27, 1999 — In And the Ship Sails On, I needed a large exterior to paint, so I used the wall of the Pantanella pasta factory. It was where my father, Urbano Fellini, had worked when he passed through Rome on his way...
Essays
Nov 23, 1998 — Harold Shand, the London crime boss at the center of The Long Good Friday, is more than an antihero. He’s the Antichrist, uniting bourgeoisie and barbarians in a simultaneous Pax and Pox Brittanica. With the “legitimate” help of cops and...
Essays
Oct 19, 1998 — Horror need not always be a long-fanged gentleman in evening clothes or a dismembered corpse or a doctor who keeps a brain in his gold fish bowl. It may be a warm sunny day, the innocence of girlhood and hints...
Dec 10, 2024 — In this brilliant adaptation, Joel and Ethan Coen find a kindred spirit in novelist Cormac McCarthy, whose abiding themes—including destiny, the American West, and the contest between our better natures and our survival instinct—mirror their own.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
Jul 23, 2025 — The director of Female Perversions looks back on the film’s transgressive exploration of women’s sexuality and on Tilda Swinton’s role as a key collaborator.
Mar 25, 2021 — In With Ossie and Ruby: In This Life Together, an autobiography cowritten by legendary creative and life partners Ossie Davis and Ruby Dee, Dee tells the story of working as a screenwriter on 1968’s Uptight. It’s a brief account, about...
The Daily
May 7, 2020 — A new memoir occasions a couple of profiles in which the actor spins a few tales many of us may find challenging to deal with.
Jan 19, 2018 — Two marvels of midcentury social commentary now streaming on the Criterion Channel show how progress can be a one-step-forward, two-steps-backward process.