The Criterion Collection
The Daily
Apr 1, 2023 — This week: Heart-stopping stunts from Harold Lloyd and Michelle Yeoh plus writing on Dziga Vertov and Kenji Mizoguchi.
Jul 26, 2022 — A seductive brew of decadence, dada, and drag, the German director’s fantastical films embrace the possibilities of female visual pleasure.
The Daily
May 24, 2022 — While some critics expected more gore, others see a wryly wise reflection on our biological future.
The Daily
Apr 22, 2022 — Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.
The Daily
Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.
Aug 6, 2021 — At a perilous moment in the history of the western, a series of films by Budd Boetticher and Randolph Scott stood out for their no-nonsense lucidity.
The Daily
Mar 2, 2021 — Anyone looking to demonstrate the range of this year’s competition might set Hong Sangsoo’s Introduction next to Dominik Graf’s Fabian: Going to the Dogs.
Feb 10, 2021 — Carrière was a humble and eager collaborator, working with Buñuel, Forman, Malle, Oshima, Schlöndorff, Wajda, and Godard.
Criterion Designs
Sep 2, 2020 — Art speaks volumes in Céline Sciamma’s rapturous eighteenth-century love story Portrait of a Lady on Fire, and much of that is thanks to painter Hélène Delmaire. It is Delmaire’s vividly lifelike canvases that grace the film from start to finish,...
The Daily
Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.